I'm actually insane. Seriously. Like bonkers and shit. Not quite Charles Manson, but only by choice do I remain so. But you will think I'm awesome anyways.
Catching Elephant is a theme by Andy Taylor
The New You
Every seven years, your body replaces every atom that comprises your being. Every seven years, you become a new person, with literally no physical trace of the old. So ask yourself this:
Would the last you be proud of his replacement?
The most utterly lost of all days is that on which you have not laughed.
A few random backwoods hicks told my friend she was “very very beautiful”, and then a tatted, gauged ears kid held a door open for an old lady. Faith in humanity restored.
(Source: p-i-s-s-i-n-g)
(Source: imdylanbarker.tumblr.com )
Lol. There’s no way in hell I’m connecting my tumblr and fb.
(Source: hemostcertainlywillnot)
![madehimsaycomfychairs:
slaughterhousefive:
suicideblonde:
INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
God bless you Quentin Tarantino](http://25.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_500.jpg)
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
God bless you Quentin Tarantino
Old Facebook Rant
No one is right in their mind. No one can find the balance. Between themselves and others. Work and life. Happiness and responsibility. Needs and wants. No one sees anyone or anything as they are. They always see the worst. Or the best. When no one is the worst or the best. We just are. We make decisions. We do what we have to or what we think we have to to make this world how we think it should be. When we should just let the world be. No one sees anything as it is, but as what they think it is. And they’re always wrong. im so sick of everyone freaking out over nothing. theres kids starving and being beaten and killed and far worse. yet people dont give a fuck. theyre to focused on their immediate surroundings and their future and their past. that mistake they made. that thing someone said about them. the things theymll have to deal with. someone always has it worse. next time you bitch about something, take a second and think about how good you have it and all the unnecessary problems you created for yourself and other by being who you want to be instead of just being. then maybe you will quit bitching about your tiny problems and focus on something important..
I miss everything and everyone I’ve gotten rid of. Lauren, Kaitlyn, and Clayton mostly. Even Kenzi and Bella. Hell, I wouldn’t mind if Crystal showed up again. At least it’d bring back some nostalgia. But I especially miss Katelyn. Best girlfriend ever. Best friend ever. I’m supposed to hang with her again soon. But it won’t be the same. It never will be. How could it? We crushed each other. We showed each other the worst parts of ourselves, and neither of us could handle it. I want my friends back, but if they did come back, it wouldn’t be the same. Which is almost more painful than not having them at all.
(Source: lovelybelieve)
